| |
| |
Song Name |
Singer |
Download MP3 |
More details |
| 21 |
Make Me Feel (Bossa) |
Sweet Ann, Big-Al |
[1,35 MB] |
here |
| 20 |
Make Me Feel (Club) |
Sweet Ann, Big-Al |
[1,35 MB] |
here |
| 19 |
Alove |
Sweet Ann |
[0,89 MB] |
here |
| 18 |
I Feel Good |
Big-Al |
[0,41 MB] |
here |
| 17 |
PowerFX |
Big-Al |
[1,00 MB] |
here |
| 16 |
Album (7 songs) |
LEON |
-- |
here |
| 15 |
Autumn in Central Park |
LEON |
[3,59MB] |
here |
| 14 |
Three Singers Together |
LEON, LOLA, MIRIAM |
[2,54MB] |
here |
| 13 |
Short Romance |
MIRIAM, LEON |
[3,09MB] |
here |
| 12 |
East |
LEON |
[2,36MB] |
here |
| 11 |
West |
MIRIAM |
[1,39MB] |
here |
| 10 |
Red Hair Girl |
LEON |
[3,65MB] |
here |
| 9 |
Yest Tolko Mig |
LEON |
[2,87MB] |
here |
| 8 |
Flying Girl |
LEON |
[2,3MB] |
here |
| 7 |
The Phantom Of The Opera |
MIRIAM, LEON |
[1,87MB] |
here |
| 6 |
Please Touch Me Lola |
LEON |
[1MB] |
here |
| 5 |
Summer-time |
LEON |
[1,29MB] |
here |
| 4 |
Rising Star |
LEON |
[2,4 MB] |
here |
| 3 |
You ask me |
LEON |
[927 KB] |
here |
| 2 |
Internet Angel |
LEON |
[1,06 MB] |
here |
| 1 |
Sad Mondays |
LEON |
[2,49 Mb] |
here |
It is a big mistake, thinking that synthesizing
vocals or something equally expressive, such as solos for violin, sax,
flute or guitar is possible without introducing performance nuances
into the electronic score. Great synthesis technology and perfect
samples are just the material which requires control.
How can that
be done? The usual way is editing controllers in the Piano-Roll, which
is very tiresome; then again, one should know very well exactly how to
edit these controllers. We can record parts on a MIDI-keyboard and
then control them with Wheels and Joysticks, but the capabilities of
these controllers are limited, and mastered not by everyone.
There is another way - Performance Modeling technology, when the
program calculates performance nuances analyzing the electronic score.
Of course, even the intelligent algorithm, a "robot", is very distant
from real live musician, but it allows controlling the performance.
The user, like an orchestra conductor, manages the manner of
performance, controlling the use of various "Performance nuances", at
the same time being free from the immediate editing of every
controller.
We have accumulated certain experience with Performance Modeling,
having released our first product in 1996 by issuing a line of Style
Enhancer products and developing as many as 500 intelligent PMStyles
for the variety of instruments and in various manners. Now we are
improving our algorithms in order to provide the users of Vocaloid and
other vocal synths with specialized software for humanizing the
results and saving the time in data editing.
Below you can see our first examples in controlling Vocaloid
(Zero-G LEON library). Keep in mind the following comments to have the
objective picture.
- This is just our "trial balloon", our first attempt at Vocaloid
testing, before YV Enhancer and special PMStyles are developed.
- Each example is just one of the possible variants of adding the
"Performance nuances". In YV Enhancer you will be able to select not
only the manner, but also a set of "Performance nuances" and the
depth of their influence.
- Most of the "Performance nuances" are provided with the
exaggerated depth, to make it more noticeable.
- All the "Performance nuances" were calculated in a fraction of a
second. (To completely appreciate the job done by the PMStyle,
Vocaloid users can analyze the controllers and "expressiveness
elements" introduced by a style in Vocaloid *.mid file.)
- For each example Vocaloid synthesis parameters are given, which
were calculated by PMStyle. As you can see, the examples show the
sequence of introducing the parameters in the process of our
mastering Vocaloid control.
Updates History
|
